Hong Kong Animation History Revisited

Winnie Fu Hong Kong animation has a unique path of development, which contributed to its scattered but significant achievements in the past 50-odd years. Its multifaceted developments are linked to the dedication—even obsession—of a group of motivated animators who had successfully created world-acclaimed productions and continue to add to Hong Kong’s list of missions impossible … Continue reading Hong Kong Animation History Revisited

The Urban Fringes of Contemporary Chinese Animation

Download PDF Isabel Galwey In the first two decades of the twentieth century, animation in Mainland China (and, indeed, the world over) has seen a remarkable efflorescence, as advances in digital technology and diversification of viewing platforms have allowed for an unsettled, shifting multiplicity of animated expression. Through examining the work of several contemporary Chinese … Continue reading The Urban Fringes of Contemporary Chinese Animation

Katong, Meishupian, and Donghua: On Terms of Chinese Animation

Daisy Yan Du American animated films, such as the Out of the Inkwell series (1918-1929), were first introduced to Shanghai around the late 1910s and early 1920s, at a time when warlords had plunged China into wars and chaos. Usually screened before a live-action film, animated films were often called moving shadow plays (huodong yingxi), … Continue reading Katong, Meishupian, and Donghua: On Terms of Chinese Animation

An Etymological Study of the Terms Dongman, Donghua, and Manhua

Download PDF Yan Chen Since 2004, the Chinese government has been gradually implementing various policies to support the development of a domestic dongman industry. The year 2016 marked the 90th anniversary of Chinese animation, and numerous commemorative celebrations and exhibitions were launched, using phrases like “the 90th anniversary of dongman.” The use of the word … Continue reading An Etymological Study of the Terms Dongman, Donghua, and Manhua

Chinese Animation, Creative Industries, and Digital Culture, by Weihua Wu. New York: Routledge, 2017. 206pp.

Belinda Qian He While the field of animation studies has expanded in the past decades, scholarly attention paid to the world of animation has been limited to either major works or dominant theoretical approaches from the United States, Europe, and Japan. Among the few exceptions, the launch of the Association for Chinese Animation Studies (ACAS) and the … Continue reading Chinese Animation, Creative Industries, and Digital Culture, by Weihua Wu. New York: Routledge, 2017. 206pp.

Between Ideological Confinement and Cultural Creativity: An Exploration of Chinese Independent Animation as a Formative Agent of Cultural Identity, Ph.D. dissertation, by Aaron Wenhai Zhou, The University of Waikato, New Zealand, 2017. 318 pp.

Cyrus Huiyong Qiu Aaron Wenhai Zhou’s Ph.D. dissertation offers an in-depth exploration of the flourishing independent animation industry in modern China. While the growing animation industry in China and its rich variety of mainstream cultural products receive much of the spotlight from the media as well as attention from academia, research on Chinese independent animation, … Continue reading Between Ideological Confinement and Cultural Creativity: An Exploration of Chinese Independent Animation as a Formative Agent of Cultural Identity, Ph.D. dissertation, by Aaron Wenhai Zhou, The University of Waikato, New Zealand, 2017. 318 pp.

The New Generation Chinese Cinema Animation (1995-2015): Industry and Aesthetics, Ph.D. dissertation, by Shaopeng Chen, University of Southampton, UK, November 2017. 328 pp.

Isabel Galwey Shaopeng Chen’s PhD dissertation examines Chinese animation works for cinema between 1995—the year that the domestic production of Chinese animation ceased to be a state-run effort—and 2015, focusing on what he describes as a “new generation” of animations produced during this period. Chen uses this term both to differentiate films produced after 1995 … Continue reading The New Generation Chinese Cinema Animation (1995-2015): Industry and Aesthetics, Ph.D. dissertation, by Shaopeng Chen, University of Southampton, UK, November 2017. 328 pp.

On the Future of Cartoons (Eileen Chang, 1937)

Eileen Chang; translated by Panpan Yang The word “cartoon” has a history of less than ten years in China. However, probably all moviegoers know Walt Disney’s Mickey Mouse. “Cartoon” originally referred to all single-panel satirical comics, newsreel comics, life comics, serial comics and so on, but the kind of cartoon I want to talk about … Continue reading On the Future of Cartoons (Eileen Chang, 1937)

Towards a Eurasian Model of Animated Filmmaking

Rolf Giesen The Cartoon Forum is a yearly event organized by Cartoon Brussels that brings together TV animation producers from all over Europe to Toulouse, France. Although you will see a variety of incredible work at the Cartoon Forum, the sad truth is that TV is no longer the partner for animation it once was … Continue reading Towards a Eurasian Model of Animated Filmmaking