Chinese Animation, Creative Industries, and Digital Culture, by Weihua Wu. New York: Routledge, 2017. 206pp.

By Belinda Qian He While the field of animation studies has expanded in the past decades, scholarly attention paid to the world of animation has been limited to either major works or dominant theoretical approaches from the United States, Europe, and Japan. Among the few exceptions, the launch of the Association for Chinese Animation Studies (ACAS) and … Continue reading Chinese Animation, Creative Industries, and Digital Culture, by Weihua Wu. New York: Routledge, 2017. 206pp.

Animation in China: History, Aesthetics, Media, by Sean Macdonald. London and New York: Routledge, 2016. 251pp.

By John A. Crespi Over the past half century or so, Chinese literary studies and film studies have expanded to where those fields have themselves become objects of scholarly research and retrospection. When it comes to Chinese animation, however, so little work has been done that one hesitates to refer to it with the plural … Continue reading Animation in China: History, Aesthetics, Media, by Sean Macdonald. London and New York: Routledge, 2016. 251pp.

Chinese Animation: A History and Filmography, by Rolf Giesen. Jefferson: McFarland, 2015. 216 pp. 

By Giannalberto Bendazzi A world acclaimed author and researcher, Rolf Giesen presents the Western audience with the first history of Chinese animation ever written in the globalized English language. He chooses a linear narrative, chronologically structured in decades (the 1920s, the 1930s, and so on), and for each decade he provides the list of the … Continue reading Chinese Animation: A History and Filmography, by Rolf Giesen. Jefferson: McFarland, 2015. 216 pp.